Bizet’s Carmen in a new chamber adaptation

Dulwich Opera Company present a brand new production of Bizet’s Carmen

Dulwich Opera Company are bringing Bizet’s classic tale of love and revenge to the St Albans, Winchester, and Herne Hill this summer. This young and vibrant company have devised a brand new chamber adaptation of Bizet’s classic, which will be the company’s first touring production.

The performance will feature a cast of young professional singers making role debuts, and will besung in French with English surtitles, with international conductor, Jeremy Silver, directing the music from the piano.

The company is delighted to reunite the creative team behind their highly acclaimed production ofCosì fan tutte, which is headed by international opera director, Ptolemy Christie, and designer, Leah Sams. Between them, they bring a great deal of experience to the production, having worked for many of the major opera and theatre companies here in the UK and abroad.

Premièred in 1875, Bizet’s Carmen remains one of the most loved and performed of all operas around the world, and includes the famous Habanera, Toreador song, and Flower Song. Based on the novella by Prosper Mérimée, the opera tells the story of the fiery gypsy girl’s tragic love affair with the obsessive soldier, Don José.

Carmen – Phillipa Thomas
Don José – James Hutchings
Micaëla – Loretta Hopkins
Escamillo – David Fletcher
Frasquita – Claudia Haussmann
Mercedes – Urszula Bock
Zuniga – Caspar James
Le Remendado – Jeremy Vinogradov
Le Dancaïre – Caspar James

The Pilgrims’ School Chamber Choir
(Winchester performance only)

Tuesday 27th June – St Saviour’s Church, St Albans

Thursday 29th June – St Paul’s Church, Winchester

Tuesday 4th July – Herne Hill School, London

Tickets are available in advance from – £21 / £19 Concesssions / £10 Under 16’s when accompanied by an adult.

Brighton Festival Chorus

Summer Concert: Sunrise
Brighton Festival Chorus
Brighton Festival Youth Choir
Chamber Domaine
James Morgan: conductor

Saturday 8th July 2017 at 7.30pm
Attenborough Centre for the Creative Arts, University of Sussex
Tickets:  £18.50 or £12 concession for students and under 16s
Attenborough Centre Box Office: 01273 678822

Brighton Festival Chorus (bfc) is looking forward to its 50th anniversary season with a summer concert at the Attenborough Centre for the Creative Arts. bfc has been rehearsing at the University of Sussex since 1968 when Laszlo Heltay, the University’s Director of Music, formed the Chorus. Heltay auditioned many of its founding members in the Attenborough Centre building, and so a return to this venue is a timely way to reflect on the birth of the Chorus.

The concert presents music for voices and strings. Chamber Domaine will play Elgar’s Serenade for Strings, one is his earliest and favourite works, and Barber’s well known Adagio for Strings, featured in many television shows and feature films.

Brighton Festival Youth Choir will perform Richard Rodney Bennett’s Letters to Lindbergh, featuring poems by Martin Hall that quote whimsically from letters supposedly received by Charles Lindbergh during his non-stop solo flight across the Atlantic in 1927. His correspondents include Scott of the Antarctic, the rusting hulk of the Titanic, and Walt Disney cartoon dog Pluto!

bfc will join Chamber Domaine for a performance of Vaughan Williams’ An Oxford Elegy. This piece was written between 1947 and 1949 using portions of two poems by Matthew Arnold: The Scholar Gipsy and Thyrsis. The work has a pastoral character, and is a loving and ruminative evocation of Arnold’s time and place.

The concert concludes with bfc singing Ola Gjeilo’s Sunrise Mass, first performed in 2008. Explaining Sunrise Mass, Ola Gjeilo said that he “wanted the musical development of the work to evolve from the most transparent and spacey, to something completely earthy and grounded; from nebulous and pristine to more emotional and dramatic, and eventually warm and solid – as a metaphor for human development from child to adult, or as a spiritual journey”.

The bfc Summer Concert promises to be a fitting start to the fundraising drive for its 50th anniversary season, embracing both traditional choral repertoire and more contemporary composition, inspired and influenced by both classical and popular culture.




English National Opera’s award-winning Orchestra and Chorus present The Dream of Gerontius, conducted by Simone Young

Saturday 1 July at 7.30pm and Sunday 2 July at 3pm at Southbank Centre’s Royal Festival Hall

English National Opera is proud to present a unique and visually striking version of one of Britain’s most-loved pieces of music. Two performances of Elgar’s The Dream of Gerontius will take place as part of Southbank Centre’s Chorus festival.

With richly evocative design by the award-winning Lucy Carter, three of the UK’s most acclaimed singers will present an emotionally-charged rendition of John Henry Newman’s poem. Soloists Gwyn Hughes Jones, Patricia Bardon and Matthew Rose join ENO’s Olivier Award-winning Chorus and Orchestra, the BBC Singers, and Australian conductor Simone Young, who leads the ENO Chorus and Orchestra for the first time.

Elgar’s choral masterpiece The Dream of Gerontius tells the story of the passage of the soul of a dying man as he passes into the next world. One of the most popular choral pieces nationwide, this performance gives the rare opportunity to see it staged with design to match the sweeping power of the music.

Lucy Carter has been praised for her work in lighting design across theatre, ballet and opera, notably winning the 2015 Knight of Illumination Award for her work on the Royal Ballet’s Woolf Works. She received wide acclaim for her ‘beautifully nuanced’ (Time Out) lighting for 2016’s Oil at the Almeida Theatre and now brings her vision to Elgar’s oratorio. She comments:

‘The concept for the visual world of this performance is to create an immersive experience that heightens the emotional textures of the music with a light energy, creating visceral lighting environments that the audience feel and hear as well as see. It draws on religious imagery and symbolism connected to the themes of Elgar’s epic oratorio, and uses the idea of light as an elemental, evocative and ultimately cleansing force.’

The title role is taken by Welsh tenor Gwyn Hughes Jones. A singer frequently seen on the ENO stage, he was recently described as ‘everything you could want’ (The Times) for his Cavaradossi in 2016’s Tosca. His other performances for ENO include Walther in 2015’s Mastersingers of Nuremberg (a role he reprised earlier this year for the Royal Opera House) and Don Alvaro in 2015’s The Force of Destiny.

Irish mezzo-soprano Patricia Bardon sings the Angel. The youngest-ever prize-winner of the Cardiff Singer of the World Competition, she was much admired for her ‘magnificently sung’ (What’s On Stage) Arsace in 2017’s Partenope at ENO as well as her 2014 performances in The Gospel According to the Other Mary.

Bass Matthew Rose sings the dual role of Priest/Angel of Agony. Most recently seen with ENO as King Mark in Tristan and Isolde in an ‘impeccably sung’ (The Daily Telegraph) performance, he has sung this role on multiple occasions, including earlier this year at the Musikverein in Vienna.

Conducting the ENO Chorus and Orchestra will be Simone Young, former Intendant of the Hamburg State Opera and General Music Director of the Hamburg Philharmonic Orchestra, and before that Artistic Director and Chief Conductor of Opera Australia. Multi-award winning, including the Goethe Medal and the Brahms Prize, she is known as ‘one of the world’s most in-demand conductors’ (Sydney Morning Herald). This marks her first time performing with the ENO Orchestra and Chorus.


From the creators of SEA FEVER comes:

A classical concert with a twist, featuring

The Birley Centre, Eastbourne   |   7.30pm   |   June 28th 2017
Tickets £12, including a surprise cocktail

“Moving in the extreme”
– The Independent

“Made you feel like you were at the centre of an arctic gale with frost on your chin!” 
– The Guardian

The Forests of Aulanko is a concert. Just not as you know it.

In the PRE-CONCERT SHOW journey to the forests of Aulanko, home of Jean Sibelius, with music written specially for the adventure by 2012 BBC Young Composer of the Year, Alex Woolf. In the LIVE PROGRAMME NOTE, fly over the Finnish landscapes that inspired Sibelius, with tales about the composer and his world.

After a COCKTAIL inspired by the music, it’s the MAIN EVENT: a performance of Sibelius’s most iconic work, his 5th Symphony. It tells of the triumph of life over death, captures the perfection of the natural world, and contains one of the greatest melodies ever written – an arc of swans flying home to nest, captured in sound.

The Arensky Chamber Orchestra is Britain’s orchestra of revolutionaries. Extraordinary classical musicians dedicated to electrifying performance and mind-opening presentation.

Funded by the Arts Council and led by Eastbourne native William Kunhardt, the ACO are dedicated to building a second, permanent home on the South Coast. Imagine a year-round programme of daring, genre-bending, orchestral music in your town. If that sounds good, make sure you join us. The revolution needs your help.

Book online at
Call: 01323 452255 | email:



In 2018 Garsington Opera will present the world premiere of The Skating Rink by leading British composer David Sawer with a libretto by award-winning playwright Rory Mullarkey.  This new commission is based on the short novel by Chilean author Roberto Bolaño; Stewart Laing will direct and Garry Walker (The Cunning Little Vixen, 2014) conducts.

The Philharmonia Orchestra joins for Verdi’s Falstaff with Henry Waddington making his debut in the title role.  Richard Farnes will conduct and Bruno Ravella (Intermezzo, 2015) directs.

Garsington Opera’s first collaboration with Santa Fe Opera features Strauss’s Capriccio with Miah Persson as the Countess.  Tim Albery (Idomeneo, 2016) directs with Douglas Boyd, Artistic Director of Garsington Opera, conducting.

A new production of The Magic Flute opens the seven week season on 31 May with Christian Curnyn conducting and Netia Jones directing, both making their Garsington Opera debuts.

City of Birmingham Symphony Orchestra announces its 2017-18 Concert Season at Symphony Hall, Birmingham

  • Mirga Gražinyt?-Tyla to conduct an ambitious series of 26 concerts, working with the whole CBSO family, curating an internationally-significant Debussy Festival in March 2018, and conducting his opera Pelléas et Mélisande
  • Clarinettist, composer and conductor Jörg Widmann is Artist in Residence for the season
  • A strengthened commitment to new music with six premieres, including the world premiere of Gerald Barry’s Organ Concerto conducted by Thomas Adès
  • The CBSO Chorus performs Haydn’s The Creation, Fauré’s Requiem and works by Lili Boulanger with Mirga Gražinyt?-Tyla
  • BBC Young Musician 2016 Sheku Kanneh-Mason makes his CBSO debut conducted by Mirga Gražinyt?-Tyla
  • Debut artists include Yeol Eum Son, Ning Feng, Rafal Blechacz, Xavier de Maistre, Jérémie Rhorer, Constantinos Carydis, Joana Mallwitz and Leo McFall.  
  • Friday Night Classics concerts include the music of David Bowie, Abba, Star Wars, and the Best of Bollywood
  • The CBSO continues to offer accessible world class music for all, with an additional 1700 tickets available under £25, and tickets for young audiences from just £6

The City of Birmingham Symphony Orchestra (CBSO) is delighted to announce its 2017-18 Concert Season at Symphony Hall, Birmingham. ‘One of Europe’s best orchestras’ (The Economist, 2016), the CBSO is a cultural flagship organisation for the Midlands and every year shares its world-class music-making with over 200,000 concertgoers in Birmingham, around the UK and worldwide. Led by Osborn Music Director Mirga Gražinyt?-Tyla(‘conducting’s next superstar’ The Telegraph) the CBSO’s 2017-18 season shares the talents and ambition of the entire CBSO family of ensembles with the widest possible audience.

Full season details can be found at


ENO’s 2017/18 season features four new productions and five revivals at the London Coliseum, supported by a number of projects in other venues

  • Daniel Kramer directs his first opera as ENO Artistic Director, a new production of La traviata starring Claudia Boylein her role debut as Violetta
  • Martyn Brabbins begins his first full season as ENO Music Director, conducting performances of Marnie and The Marriage of Figaro
  • ENO presents the world premiere of Nico Muhly’s latest opera, Marnie, directed by Michael Mayer and conducted by Martyn Brabbins
  • A new production of Verdi’s Aida opens the 17/18 season, conducted by Keri-Lynn Wilson. After sell-out performances of his Olivier Award-winning Akhnaten, Phelim McDermott returns to direct
  • Cal McCrystal directs a new production of Gilbert and Sullivan’s Iolanthe, starring ENO Harewood Artist Samantha Price in the title role alongside ENO favourites Andrew Shore and Yvonne Howard
  • Regent’s Park Open Air Theatre and ENO present a new production of The Turn of the Screw, directed by multiple Olivier Award-winner and Artistic Director of the Open Air Theatre, Timothy Sheader. ENO Mackerras Fellow Toby Purser conducts
  • Revivals of audience favourites include Jonathan Miller’s The Barber of Seville, Richard Jones’s Rodelinda, Phelim McDermott’s Satyagraha, Robert Carsen’s A Midsummer Night’s Dream and Fiona Shaw’s The Marriage of Figaro
  • A raft of exciting British conductors new to ENO includes Leo McFall, Alexander Soddy and Hilary Griffiths. Keri-Lynn Wilson and Karen Kamensek return after acclaimed debuts in the 2014/15 and 2015/16 seasons respectively
  • Over 93% of cast and conductors in the 2017/18 season are British born, trained or resident. Rodelinda, Iolantheand Satyagraha all feature casts that are entirely British born, trained or resident
  • More than 15 principal roles across the 17/18 season will be taken by current or former ENO Harewood Artists.
  • Over 39,500 tickets are available for £20 or less across the 17/18 season (500 for every performance)

Today (27 April 2017) ENO has announced its 2017/18 season, comprising four new productions and five revivals at the London Coliseum alongside performances at other venues during the summer. In the 2017/18 season ENO will present nine fully-staged productions at the London Coliseum (following eight in the 2016/17 season). This will increase to 10 fully-staged productions at the London Coliseum by 2019/20.

Official Opening of The Stoller Hall: Manchester’s Newest Performance Space at Chetham’s School of Music

This weekend (Friday 21 – Sunday 23 April) The Earl of Wessex, Patron, Chetham’s School of Music, opens The Stoller Hall: Manchester’s newest performance space at Chetham’s School of Music. It offers a flexible, professional venue which is the ideal place for recitals, chamber concerts, jazz, folk, pop and spoken word events as well as recordings and conferences. The city of Manchester is a vibrant hub of culture with a plethora of music venues catering to a variety of genres: The Stoller Hall adds to this by filling the gap for a dedicated chamber music space, combining the intimacy of a small venue with impressive visual and acoustic design.

Situated in the New Building, which opened in 2012, a void was deliberately left in this new part of the school for a planned for concert hall, with the assumption that years of fundraising still lay ahead before that could become reality. The total cost of The Stoller Hall is £8.7m, and £7.5m of its overall cost has been generously donated by Sir Norman Stollerthrough the Stoller Charitable Trust: Chetham’s are delighted that this means the doors are opening just five years after the original conception, with additional support from the Garfield Weston Foundation. The remainder of the funds have been raised through various arms of the Encore Campaign: from donating a Round of Applause or the Name a Seat scheme to establishing a Wall Plaque or exploring Naming Opportunities.

The concert hall provides:

  • State-of-the-art 482-seat auditorium
  • Flexible acoustics, designed by industry experts Arup, for different types of performance
  • An extendable concert stage
  • High quality, brand new PA and lighting with in-house technical support
  • In-house Steinway D grand piano
  • Two large dressing rooms & two Green rooms with en-suite facilities
  • An intimate yet impressive setting providing a unique audience experience in the heart of Manchester

ENO and Grange Park Opera announce partnership

English National Opera (ENO) and Grange Park Opera (GPO) have today announced the formation of a three-year partnership, beginning in June 2018. Each year ENO’s award-winning Orchestra will play for productions presented by Grange Park Opera at West Horsley Place. West Horsley Place, the first opera house to be built in the UK in the 21st century, is the new home of Grange Park Opera and will open on 8 June 2017.

Described as ‘the finest opera orchestra in the country’ (The Stage), the ENO Orchestra is at the heart of the company’s artistic life. The repertoire that they perform is extremely diverse, ranging from baroque opera to world premieres. Their performances are regularly broadcast by BBC Radio 3 and have been screened live to cinemas worldwide as part of ENO Screen. In 2016 the ENO Orchestra and ENO Chorus were joint winners of the Olivier Award for Outstanding Achievement in Opera.

BBC Proms 2017

122 years since it was founded and 90 years since the BBC took over the running, financing and broadcasting of the world’s largest classical music festival, the BBC Proms today announces its 2017 season. Presenting over eight weeks of events and more than 90 concerts the festival continues its founder-conductor Henry Wood’s aim of bringing the best classical music to the widest audience.

The festival marks major composer anniversaries in 2017, including Monteverdi at 450, Handel’s Water Music at 300 and John Williams at 85.  The birthdays of two pioneers of American Minimalism are also celebrated – John Adams’ 70th birthday is marked throughout the festival including the First and Last nights, and Philip Glass’ 80th birthday is celebrated with the first complete live performance of Passages, the 1990 studio album he created with Ravi Shankar, performed by the Britten Sinfonia, conducted by Karen Kamensek with sitar soloist Anoushka Shankar. 

Following its launch last year, the ‘Proms at…’ series returns, matching music to five different venues and for the first time in recent history travels outside of London to Stage@TheDock in Hull, the UK’s 2017 City of Culture, for a concert inspired by the 300thanniversary of the first performance of Handel’s Water Music. As well as eight Proms Chamber Music concerts at Cadogan Hall, the series presents choral music at Southwark Cathedral, music theatre at Wilton’s Music Hall, new and experimental music at the Tanks at Tate Modern, and returns to Bold Tendencies Multi-Storey Car Park in Peckham for a wide-reaching programme featuring The Multi-Story Orchestra and Youth Choir

The Proms explores the ways in which politics has inspired and influenced composers across the ages through two big historical anniversaries in 2017 – one hundred years since the Russian Revolution, featuring the music of Shostakovich, Prokofiev and Rachmaninov, and the 500th anniversary of the Protestant Reformation, which is marked with a special day of concerts curated by Bach specialist John Butt.

Engaging new audiences remains a vital part of the BBC Proms mission as the festival opens its doors through special initiativesincluding the first ever Relaxed Prom. Presented in collaboration with the BBC National Orchestra of Wales (BBC NOW) and the Royal Albert Hall Education & Outreach team, the concert offers an informal environment for people with autism, sensory and communication impairments and learning disabilities as well as individuals who are Deaf, hard of hearing, blind or partially sighted. The Prom, which follows BBC NOW’s first ever Relaxed concert in Cardiff on 2 July, is led by conductor Grant Llewellyn and musician Andy Pidcock. Other concerts designed especially to present classical music to new audiences include Gerard McBurney’s Beyond the Score, which combines actors, projections and live musical examples who explore the history of Dvo?ák’s ‘New World’ Symphony, and Beethoven’s ‘Eroica’ Symphony, deconstructed live on stage by Tom Service and conductor Nicholas Collon, before a performance from memory by the Aurora Orchestra. A series of weekend matinees also offer engaging concerts that present the perfect introduction to classical music at a time of day that is convenient for those who may not be able to attend evening events.

As always the Proms presents a wide range of the very best music, with jazz and soul music a focus in the 2017 season. The festival marks 100 years since the births of Ella Fitzgerald and Dizzy Gillespie with a concert starring vocalist Dianne Reeves and trumpeterJames Morrison.  The music of jazz giant Charles Mingus is celebrated by conductor Jules Buckley and his Metropole Orkest, BBC Radio 2 presenter Clare Teal returns with bandleaders Guy Barker and Winston Rollins for a concert celebrating big band legends including Duke Ellington, and Jools Holland & His Rhythm and Blues Orchestra pay tribute to the legendary Stax/Volt Revue, credited for its championing of Southern and Memphis soul music.

The refreshed Proms – reflects the entire festival offering. The ‘Proms Unplucked’ Podcast, presented by comedian and composer Vicki Stone, offers a unique backstage view of the whole festival.

Tickets are available via or 0845 401 5040 and in person at the Royal Albert Hall as follows:

  • General booking opens at 9.00am on Saturday 13 May
  • Season and Weekend Promming Passes are available to purchase from 9.00am on Thursday 11 May.
  • Proms Chamber Music Series Passes are available to purchase from 9.00am on Thursday 11 May.
  • Tickets for the Ten Pieces Presents…Proms (Proms 11 and 12) are available to purchase from 9.00am on Friday 12 May.
  • Tickets for the Relaxed Prom (Prom 19), including a limited number of Promming tickets, are available to purchase from 9.00am on Friday 12 May.